As Europe begins opening as much as vacationers once more, it’s extra thrilling than ever to consider the cultural treasures that await. For me, one of many nice joys of journey is having in-person encounters with nice artwork and structure — which I’ve collected in a guide referred to as Europe’s High 100 Masterpieces. Right here’s an historic favourite:
The caveman man cave at Lascaux is startling for the way fashionably it’s adorned. The partitions are painted with animals — bears, wolves, bulls, horses, deer, and cats — and even a couple of animals that are actually extinct, like woolly mammoths. There’s scarcely a Homo sapiens in sight, however there are human handprints.
All this was achieved in the course of the Stone Age almost 20,000 years in the past, in what’s now southwest France. That’s about 4 occasions as outdated as Stonehenge and Egypt’s pyramids, earlier than the appearance of writing, metalworking, and farming. The caves had been painted not by hulking, bushy-browed Neanderthals however by fully-formed Homo sapiens often called Cro-Magnons.
These should not crude doodles with a charcoal-tipped stick. The cave work had been refined, expensive, and time-consuming engineering initiatives deliberate and executed in about 18,000 BC by devoted artists supported by a unified and secure tradition. First, they needed to haul all their supplies into a chilly, pitch-black, hard-to-access place. (They didn’t dwell in these deep limestone caverns.) The “canvas” was large—Lascaux’s fundamental caverns are greater than a soccer area lengthy, and a few animals are depicted 16 ft tall. They erected scaffolding to succeed in ceilings and excessive partitions. They floor up minerals with a mortar and pestle to combine the paints. They labored by the sunshine of torches and oil lamps. They ready the scene by laying out the determine’s main outlines with a connect-the-dots collection of factors. Then these Cro-Magnon Michelangelos, balancing on scaffolding, created their Stone Age Sistine Chapels.
The work are impressively practical. The artists used wavy black outlines to recommend an animal in movement. They used scores of various pigments to get a spread of colours. For his or her paint “brush,” they employed a type of sponge constructed from animal pores and skin. In one other approach, they’d draw the outlines, then fill it in with spray paint — blown by tubes manufactured from hole bone.
Think about the debut. Viewers can be led deep into the cavern, guided by torchlight, into a chilly, echoing, and otherworldly chamber. Within the darkness, somebody would gentle torches and lamps, and immediately — whoosh! — the animals would flicker to life, showing to run across the cave, like a prehistoric film.
Why did these Stone Age individuals — whose lives had been most likely harsh and precarious — trouble to create such an obvious luxurious as artwork? Nobody is aware of. Possibly as a result of, as hunters, they had been portray animals to magically improve the provision of recreation. Or maybe they thought if they may “grasp” the animal by portray it, they may later grasp it in battle. Did they worship the animals?
Or perhaps the work are merely the results of the common human drive to create, and these caverns had been Europe’s first artwork galleries, bringing the primary vacationers. Whereas the caves are closed to at present’s vacationers, rigorously produced reproduction caves adjoining give guests a vivid Stone Age expertise.
At present, visiting Lascaux II and IV, as these reproduction caves are referred to as, means that you can share a standard expertise with a caveman. You might really feel a bond with these long-gone individuals…or stand in awe at how completely different they had been from us. In the end, this artwork stays very similar to the human species itself — a thriller. And a surprise.
